Baghira – The Panther’s Gaze
In the heart of Rajasthan, where warriors were also connoisseurs, ruled Maharaja Bhakt Singh of Marwar (1706–1752). A man of bold presence and effortless command, he moved through the world with quiet dominance. In court, his words carried weight; in battle, his strategy was fearless. But beyond war and power, he was a seeker of beauty, a curator of elegance, a traveler who understood that style was as much a weapon as the sword.

From the bustling markets of Benares to the royal ateliers of Marwar, Bhakt Singh collected more than fabrics—he collected a reflection of his discerning eye. A collection of the, finest muslins, the deepest-hued dyes, to intricate embroideries of Gujarat, and the masterful weaves of Persia. understanding that a man’s presence begins with what he wears. His aesthetic was deliberate, his choices meticulous—his style, like his power, was undeniable.

Like the panthers (baghira) of Jawai, he moved with precision—never rushed, never hesitant. Men like him do not wait for recognition; they carve it. A patron of craftsmanship, a traveler of refined taste, a man whose journey was measured not in conquests alone, but in the timeless stories he embodied.

These are the men of Hukam.